Ma Rainey’s Black Bottom (2020): Spoiler-Free Review

The conspicuous monologues and modest staging perhaps intentionally, but nonetheless glaringly, contribute to a potent feeling that this film has failed to make its full transition from the stage to the big screen. The fact that this is based on a play is evident; the benefits and idiosyncrasies of the medium of film are not always taken full advantage of.
In spite of this, the film was actually an incredibly enjoyable experience all considered. The screenplay is engaging, if not necessarily hypnotising, and the plot reasonably compelling. What gives this film its lustre then (excellent musical interludes aside) is the particular excellence of its performances. Viola Davis and Chadwick Boseman are electric - both taking full advantage of bombastic highs and excruciating lows, often in the space of just a few moments. They interact all too infrequently, but every second that they do is rousing, the tension almost tangible. Add to this a more-than-solid secondary ensemble and the result is a film full to the brim with character and spirit.
Much like the early blues it portrays, this is a movie loaded with disquiet, anguish, joy and humour all in one package. Fans of music and film alike will get a kick out of this one.